Following a number of critical responses (including my own) to her recent blog post about privilege and Trayvon Martin, Sherry Wolf reposted a Socialist Worker article by Keeanga-Yamahtta Taylor that she thinks addresses most of the concerns that have arisen. (That article can be found here.) I was also directed to another article criticizing privilege theory posted recently on Kasama.
I don't think it would be very fruitful to try to continue a point by point engagement with these articles, as they aren't directly engaging with all of the same questions as I am, and are mostly directed at non-Marxists rather than unorthodox Marxists such as myself. But I do want to follow up with a restatement and deeper explanation of some of the ideas from my last article, as well as directly address a few major points of disagreement.
What is power?
Talking through these issues in the terminology of privilege might be somewhat misleading. It's worthwhile to have a discussion about the terminology we use and why we ought to prefer some words to others, but before we can do that we have to be clear about what we're actually talking about. It seems to me that the real theoretical disagreement at stake here is about how power works.
At the risk of dramatically oversimplifying, I'll frame the question this way: is power something that exists in the relations of the ruling class to everyone else based on our society's economic system, or something that exists in the relations of any person or group to any other person or group based on socially constructed categories of difference? For some Marxists like Sherry Wolf, it is the former; for some of the "post-modernists" and anarchists whose politics she criticizes, it is the latter. No doubt, almost anyone can recognize that to some extent power operates in both ways: no Marxist would deny that white workers can exercise some small amount of power against black people through something like the KKK, and very few non-Marxists would deny that capitalism exists and is responsible for certain kinds of structural power arrangements. But both of these hypothetical groups think that power is essentially one or the other, even if it is mildly complicated by other factors.
I think they're both wrong; I think power operates at both levels. Depending on the form of power in question, it may have its origin in one specific type of exercise of power: the modern notion of race, arguably, was created by the ruling class of colonial Virginia to allow themselves to continue execising power over everyone else. On the other hand, the institution of patriarchy has probably been around for as long as humans have settled into villages, and its origin cannot be explained simply by reference to an economic system like capitalism.
But the origins of a mode of power don't predict or explain the current manifestation of that mode of power. Race may have originated as an ideological tool of a colonial ruling class, but it has evolved into a vast and overwhelmingly complex cultural and economic apparatus of institutions, images, forms of language, patterns of behavior, and so on that allow power to be exercised along the axis of race at any place or time where human beings are present. The most significant exercises of power are going to come from those with the most power--the white male capitalist ruling class. But it's important to realize that members of the ruling class are participating in the capitalist system like everyone else, and they do not themselves constitute that system or have full or direct control over most of its operations.
What is white privilege?
Using the very simple model given above, I'll tentatively define white privilege as the exercise of power along the axis of race by a white person or group of white people. It doesn't have to be a conscious exercise of power, and usually it probably isn't. To put this somewhat differently: if race is a set of ideas and images and institutions and so on that allow for the oppression of some people based on their inclusion in a certain racial category, then privilege is the flip side of that oppression. People of color have a real experience of oppression; white people have a real experience of privilege.
That experience amounts to more than simply not experiencing oppression. It also amounts to more than a misleading psychological feeling of superiority. When Marxists say that racism in the working class is merely psychological, they make the same mistake that liberals make in defining racism as something that happens in people's minds as a simple matter of belief about other people. But race exists not just as a belief about inferiority or superiority, but as a vast network of ideas in our language, our culture's visual imagery, our bodily habits, our access to and roles within various institutions, and so on. An individual's psychological reaction to all this might take the form of prejudice against another group of people, but racism is not simply prejudice. It is the way that individuals manipulate this vast network of ideas and tools and behaviors to act out their socially assigned category of race.
Privilege theory allows us to think through the ways that white people--including white workers, and white women, and queer white people--do this. It allows us to begin to deconstruct this complicated system of privilege, thereby allowing for deeper understanding and more effective forms of collective action between white people and people of color. But privilege theory is not a comprehensive theory of race and liberation: it is merely the part of such a theory that analyzes the behavior of white people within systems of oppression. I am in agreement with all of the other Marxists in this debate that privilege theory without a systematic analysis (for us, Marxism) is insufficient, that privilege theory taken as a complete theory of liberation can and often does lead to paralysis, to depoliticization, to tokenizing of women and people of color. Where we disagree is the question of whether classical Marxism by itself provides a sufficient analysis of power and working class racism, or whether we need to expand its analysis to account for these phenomena in a more sufficient way.
On reducing race to class.
Many Marxists seem not to understand the charges of class reductionism that are leveled against them. They defend themselves by pointing out how Marx supported independent action against racism, how they think of the struggle against racism as an integral part of the struggle against capitalism, and so on. The problem is that class reductionism can take many forms. When these thinkers find themselves faced with the charge of class reductionism, however, they can conceive of this only according to the most radical form of reductionism.
But nobody thinks that Sherry Wolf and others with her politics are so radically class reductionist that they believe analysis of race adds nothing to analysis of class or that we can sufficiently achieve liberation merely through class struggle without also struggling against race. There are, sadly, still some 'Marxists' who have politics as terrible as all that, but fortunately Sherry Wolf and her comrades are smarter, better informed, and more sophisticated thinkers than that.
But they still tend to fall into various forms of class reductionism. Specifically, they tend to conceive of race, gender, and sexual identity as forms of oppression arising from class oppression and which exist primarily or exclusively as ways of furthering class oppression. Keeanga-Yamahtta Taylor, for example, says in her article that "under capitalism, wage slavery is the pivot around which all other inequalities and oppressions turn." If this doesn't mean that class oppression is more fundamental than other forms of oppression, that class oppression exists independently while other forms of oppression exist only contingently, then what the hell does it mean?
A few paragraphs later, the class reductionism becomes even more explicit: "while it is true that oppressions can reinforce and compound each other, they are born out of the material relations shaped by capitalism and the economic exploitation that is at the heart of capitalist society." So capitalism comes first, and other oppression comes later because of it. On this model, it is hard to explain the historical fact that patriarchy predates capitalism by thousands and thousands of years, as does oppression based on expressions of sexual identity (homosexuality as such may be a recent invention, but Romans and Greeks and earlier societies very clearly had other systems of categorizing sexual identity, and the development of these categories--such as the Roman cinaedus--seems to have had more to do with nationalist cultural concerns than with economic interests).
It is easier to make an argument for race as a product of capitalism (if you want to think of the economy of early colonial Virginia as capitalist, which I'm not sure you should). Race, it is said, was a deliberate invention of the colonial ruling class to divide the colonial working class. I agree with this story--sort of. It does seem to be true that the colonial ruling class produced the basic conception of race that would be used to justify slavery and other forms of exploitation, but it is not true that they invented this idea whole cloth, or that it has remained static since then.
The colonial elites took ideas that had been present in their culture for a very long time and tweaked them for their purposes. The word 'race' and its predecessors had been used for thousands of years; stereotypes and oppression based on skin color had been around for thousands of years; fairly complicated systems of social relationships based on supposed differences of 'race' or 'ethnicity' and other related categories had been constructed many times in many places over the course of Western history. The supposed inventors of race in Virginia merely acted on these ideas to develop a new conception of race that was specifically suited to their purpose, and white people have continued to do this ever since, which is why there is no consistency to the history of racist thought either within capitalism or before it.
This example seems incredibly instructive to me. The simple model that orthodox Marxists often adopt which posits ideology and culture as direct products of ruling class interests suddenly becomes a lot less simple when we realize that the ruling classes do not create new culture at all, but simply act on existing culture to shape it to their purposes. Capitalists have neither the degree of power nor the level of creativity required to do more than this. They have a powerful influence on the evolution of culture, but theirs is not the only influence. (It's also worth asking whether culture and power are really produced through the intentional acts of people acting in their self-interests, or whether they develop separately from the conscious acts of any human beings, but that is a question beyond the scope of this discussion.)
Perhaps the most significant form of class reductionism in Taylor's article emerges only when you read between the lines. It is eminently noteworthy that when discussing differences and relative advantages between white and non-white workers, Taylor only discusses economic differences of income and wealth. If white workers would have yet more wealth by uniting with black workers, she argues, then they can't possible be said to benefit from racism. She concludes that racism in the working class must be merely a "psychological wage," the result of "false consciousness."
Well, if the only form of difference that you can conceive of is crass economic difference, it is not surprising that you can't understand privilege and that you tend to reduce other categories of oppression to economic--that is, class--oppression. It does not seem to have occurred to Taylor or Wolf that white workers might experience cultural privileges and advantages over non-white workers. In fact, culture doesn't seem to be a real thing for them at all: it is merely subjective, a "false" consciousness, whereas class is real and objective.
I submit that culture is real, that in many ways it is more real than economic position. Economic oppression creates all kinds of terrible problems for oppressed people, but it is not in economic prosperity that people find their real happiness and passion for life. The things that we all value the most--love, friendship, shared cultural practices like art or sports, the social world in general--are all cultural realities. It follows that the ideas and materials of culture are a vital space where privilege might be found. Access to culture, the relative valuing of different kinds of culture, the habits and behaviors induced by culture: all of these things produce real differences that give real privileges to white people and other people whose identities are socially--culturally--constructed into categories of superiority.
All of this is to say: the history of oppression is extremely complicated, and it is both arrogant and inaccurate to say that all forms of oppression arise from the realities of capitalism. Racism, patriarchy, heteronormativity, and other forms of oppression both predate capitalism and have a real continuing existence that goes beyond their relationship with capitalism, however important that relationship may be. The independent realities of various forms of oppression are important to understand if we hope to effectively work against that oppression. Let's be honest: for the better part of a century, if not for all of American history, the American left has on the whole done a bad job of acting against all forms of oppression, and given that fact it seems that we all ought to be humble and recognize that our various orthodoxies probably have a lot to learn from other traditions.
On reducing individuals to categories
To me, the most poignant criticism of privilege analysis is the inherent danger it has of reducing people to their categories and the expectations that accompany those categories. Not only does this tendency deny people (both people who experience oppression and people who experience privilege) the space to exist as individuals and to shape their own identities, but it can lead people to overemphasize difference (whether real or imagined) to the point of derailing possibilities for solidarity and collective action.
I don't think this tendency follows necessarily from privilege analysis, but it certainly can and often does follow in actual practice. I won't lie: I struggle with the psychological tendency to think of a person as "a black woman" or "a white dude" instead of as Susan or Jeff, who are complicated individuals not reducible to their socially assigned categories. The problem is, these tendencies exist whether or not we have an analysis of privilege. These categories exist in our world and all people in our world think about other people through the lens of race and gender and other categories, to mostly harmful effect. Anyone who says something like "my mom taught me not to see race" is full of shit; what they really mean is that their mom taught them to never explicitly acknowledge the existence of race.
I think the only solution is to try very hard to continue struggling with this difficult project. Denying the reality of difference is not a solution to the problem of oppression based on difference. I follow Audre Lorde in arguing that is absolutely essential to think about our differences and their implications, but to do so without dehumanizing people or reducing them to categories of difference. I also agree with Lorde that difference is not something that will ever go away, and that our project is not to end difference but to transform it from something that oppresses and divides us to something that we love about each other and find great joy in. A difficult project, but as worthy a project as I can imagine.
Conclusion
What we need is a theory of power and oppression that accounts for both the nature of capitalist class power and oppression and the related but independent nature of patriarchy, racism, heteronormativity, and other forms of oppression. We need a theory that understands culture as well as economics, that explains how power operates between individuals having a conversation, or political activists having a meeting, or groups of workers who find themselves in conflict, as well as between the ruling class and everyone else. We need a theory that allows us to see each other as individuals rather than categories, but which also allows us to understand how categories of race and gender and so on are operative on our identities. We need to be able to struggle collectively while also combating the forms of privilege that are expressed within those struggles.
Classical Marxism gets something essentially right in its analysis of capitalism, and is therefore an excellent starting place for part of this equation. But classical Marxism cannot perform all of the functions that I have just asked it to perform. To develop a theory that does all of these things, we need to borrow heavily from more recent forms of Marxism, as well as from non-Marxist theories which might get certain things very wrong while making important contributions in other areas. This project cannot get off the ground if we believe that our tradition already has satisfactory answers to all of the important questions, and doesn't need to be significantly expanded or rethought.
Faithless Street
A more inspired layout is in the works, I promise!
Sunday, April 8, 2012
Friday, April 6, 2012
Who is paralyzed by white privilege? A reply to Sherry Wolf
"Certainly there are very real differences between us of race, age, and sex. But it is not those differences between us that are separating us. It is rather our refusal to recognize those differences, and to examine the distortions which result from our misnaming them and their effects upon human behavior and expectation...It is a lifetime pursuit for each one of us to extract these distortions from our living at the same time as we recognize, reclaim, and define those differences upon which they are imposed. For we have all been raised in a society where those distortions were endemic within our living." - Audre Lorde
In her recent blog post written in response to the "I Am Not Trayvon Martin" YouTube video, Sherry Wolf argues that analyses of white privilege are paralyzing in the sense that they deny possibilities for action and speech to, well, people with privilege. Her arguments miss the point and make a variety of inaccurate assumptions and generalizations about the meaning and purpose of arguments about privilege, but they also reflect some real disagreements that exist on the left and which need to be addressed in a principled way.
My purpose is to engage with Wolf's arguments in terms of the analysis of white privilege in general, and not for the sake of defending the YouTube video in particular. That said, it's instructive to note that Wolf wildly misrepresents the actual statements of the woman in the video. Here's the second paragraph from Wolf's post:
Essentially, [the woman in the video's] argument amounts to this: 1) social-justice minded white people (all described as middle class) should not and cannot identify with victims of racism like Trayvon; 2) white people, including antiracists, can only identify with homicidal racist maniacs like George Zimmerman; 3) people of color are multifaceted individuals capable of independent thought and action; white people are an undifferentiated mass of privileged racists who must constantly resist the urge to oppress racial minorities — no matter what they do, say or think they think, all whites are racists and benefit from racism.In fact, the woman in the video says none of these things. She explicitly addresses her video to white, middle-class activists, but that is a very different thing from claiming that all white activists are middle-class, which she neither says nor implies. She makes a rhetorical argument about an "I Am George Zimmerman" shirt, but what she says by way of explanation is not that white activists ought to identify with Zimmerman, but that we ought to recognize that we are socialized to the same kinds of racist ideology as Zimmerman, and that to the extent that we have escaped that ideology, we have done so through luck and hard work and not as a natural process. She claims that all white people experience privilege (which is true), but she does not claim that white people are all the same or all racists.
Wolf makes a variety of other strawman arguments as well, arguing against the supposed claims that white people cannot participate in anti-racist organizing, that racism is just a set of bad ideas and not a system that materially benefits a ruling class, that people wearing "I Am Trayvon Martin" shirts are seeking to justify racism and privilege, and so on. None of these claims can be found in the video or in the works of the majority of writers who have developed the white privilege analysis. These bizarre mischaracterizations say nothing about the people that Wolf is criticizing, but they say plenty about the biases and ideas underlying Wolf's own positions.
Wolf is not really responding to the video at all, but rather to her idea of white privilege analyses in general. She clearly thinks of this position as something arising out of a non-Marxist, non-systemic conception of racism, and she clearly seems to feel that something in her own conception of capitalism and racism and the relationship between the two is threatened or obscured by an analysis of privilege. I am a Marxist, and I believe in racism as set of institutionalized systems of oppression developed largely for the material benefit of a ruling class, but I also believe that white privilege is not only real, but absolutely essential to understand if we are to overcome the system of racism that allows a young man to be murdered on a snack run just because he's black. I think that there is much that is right about the kind of analysis of racism and capitalism that Sherry Wolf and many others on the left employ, but I think there is also something missing from it. There are several points that come up in Wolf's blog post that I want to address.
First, does white privilege even exist? Wolf seems to think that it does not. She acknowledges that white people are better off in a variety of ways in our society than black people, but she doesn't think this amounts to privilege. She suggests that it is in the interests of all people in our society who aren't members of the ruling class to end capitalism and racism, and that therefore working class white people do not benefit from racism. But there is a confusion here. White privilege analysis does not say that working class white people are better off under racist capitalist heteronormative patriarchy than they would be under an alternative system like socialism; it says rather that within our current system of racism, white people in all classes are given real privileges that people of color are not.
Indeed, as Wolf seems to understand, whiteness was created not for the direct benefit of the ruling class, but in order to give privileges to white workers that would separate them from black workers. And it worked. Whiteness does not only make white people feel that they are better off than black people, but it makes them actually better off. It gives them privileges--privileges defined in relation to the real circumstances of non-white people, and not in relation to the ideal circumstances of people in a fair and just society.
So yes, it is a form of white privilege that we as white people are able to walk through our neighborhoods late at night and have people assume that we belong there and that our intentions are benevolent. It is white privilege that when our children go to high school, they are judged based on their performance, while their black schoolmates are automatically assumed to belong in "technical" (as opposed to college) tracks regardless of their performance. It is white privilege that we can walk through supermarkets or malls without feeling the eyes of armed security guards following us as we shop. It is white privilege that we are visually identified as Americans, and never have to answer the question "where are you from?"
But privilege goes beyond freedom from acts of discrimination and prejudice. We have the general privilege to be socialized such that we think of ourselves, and are thought of by others, just as people, and not as people of a certain race who are expected to be all kinds of things based on that race. And we have had the historical privileges to belong to unions that excluded people of color, to have access to higher paying and more comfortable jobs, to live in safer and cleaner neighborhoods with better schools, etc.
But what does all this mean for us as activists? Does it follow from an analysis of whiteness as privilege, as Wolf thinks it does, that we are paralyzed and unable to act against racism without ourselves being racist? Of course not. Many dedicated anti-racist activists, both white people and people of color, accept an analysis of white privilege and yet still do wonderful organizing against racism. The question is not whether anti-racism is possible for a white person who takes seriously the idea of privilege, but what kind of anti-racism follows from this analysis. What are the real implications that follow from the analysis of white privilege?
People who take white privilege seriously, myself included, believe that it is important to recognize our differences and not to obscure them. Difference is more than just a broad category employed by capitalism to divide the working class. It is a lived experience that significantly shapes the way each of us experiences the world. I am a white, male, queer person living in Appalachia. All of these categories, among others, have shaped my experience and my behaviors and my identity in very real ways. To a large extent, I am therefore unable to truly understand the experiences of women, of people of color, of people who grew up in Harlem or in the Southwest or in Algeria.
I do not know what it is like to be Trayvon Martin--I am not Trayvon Martin, and while I can feel solidarity with him and sympathy for him, as well as outrage at the system and the individual that caused him to die, I cannot truly identify with him. This is an uncomfortable truth, but I believe it is a very real truth. I suspect that Sherry Wolf would say that this way of thinking, taken in such an explicitly political direction, reduces us to categories of oppression so divided by our differences that we are incapable of collective action and solidarity and that we can only act on ourselves as individual minds. I think that the opposite is the case. I think that if we do not have this kind of understanding, if we think of difference as merely a tool of the ruling class and not as something that creates real and significant power dynamics in the relations of all people, then we fail to understand the true nature and extent of the system of racism that is at work. And if we do not understand it, we can't effectively act to change it.
When a white activists wears an "I Am Trayvon Martin shirt," they no doubt do so with the intention of expressing solidarity and unity. And I think that, most of the time, that solidarity is deeply felt, and not just an attempt to cover up white guilt or anything like that. But while this message may express solidarity, it also obscures difference. It states that we are all basically the same, and implies that we need only to recognize and express our essential unity in order to overcome our obstaces. But we are not all the same in this fucked up world, and we cannot create a different world merely by pretending that it already exists.
When white people suggest they are really the same as Trayvon Martin, or worse, that they could have been him, they locate the cause of Trayvon's death in the supposed irrationality and hatred of one individual (George Zimmerman) rather than in a whole system of racial division and oppression. But George Zimmerman, while no doubt a hateful racist, was just acting on thoughts and feelings that he has been conditioned to have by a massive cultural apparatus that seeks to instill all white people with the same racist ideas and behaviors and languages. It is largely successful. Most white people in the US today won't identify themselves as racists, but they still think and act and speak along predictable racist patterns, because they are taught to do so. George Zimmerman did not decide to become a racist, he was taught to be one, and so are we all.
We can fight against our socialization, of course, and to some extent we can succeed in overcoming it. But we can do so only through very hard and deliberate work, and we will never do that work if we don't understand why it needs to be done. If we don't even believe that we as white people excluded from the economic ruling class are acting out these privileges, how can we overcome them and stop acting them out?
But this goes much further than changing our attitudes and behaviors on the individual level. We also have to challenges these things on the collective level. What collective anti-racist action will look like directly depends on what kind of analysis we have of racism. If we believe that racism is a thing that exists in the minds of individual racists like George Zimmerman, and not in cultural institutions of whiteness in general, then we will seek ways to punish and prevent crimes like Zimmerman's, and not to end the institutions that created them in the first place. If we believe that racism emerges directly from capitalism, that it benefits only capitalists and that it would therefore disappear if capitalism disappeared, then we will marginalize the struggle against racism and try to subsume it within the broader struggle against capitalism.
But if we understand racism as a system that, however it may have been created originally, now exists independently of capitalism, and which affects all aspects of our lives in significant ways and creates forms of difference that privilege some of us and oppress others, then we will take it more seriously and seek more creative ways to challenge this system at the same time that we are challenging capitalism and patriarchy and heteronormativity and other interrelated systems of oppression. None of these oppressive institutions can be reduced to another, and we must understand all of them to truly end any of them.
One last point. Most leftists, including Sherry Wolf and myself, agree that racism must be ended, even if we don't exactly agree on what racism looks like in the real world. But the question remains: if white people experience real privilege, what does this mean for their involvement in anti-racist movements? I have suggested that, minimally, it means we should recognize and seek to overcome our privilege, and that it's hard to do that when we're claiming to be Trayvon Martin instead of acknowledging ourselves as white people who would never have experienced what Trayvon did. But does this recognition of difference and privilege mean that we can't act at all beyond the individual level?
Absolutely not. A few days ago I attended a vigil and march to remember Trayvon Martin and demand justice. The crowd was majority black, but white people were a significant minority. I felt very uncomfortable with the idea of wearing an "I Am Trayvon Martin" shirt, and with seeing other white people wearing those shirts, and none of the white activists I knew who were there wore the shirts. And yet we participated just the same: we held signs demanding justice and an end to racism, we marched, some of us spoke. None of these activities conflicts with an analysis of white privilege. We didn't have to claim to be Trayvon to express our solidarity with him and our outrage at the system that murdered him.
We as white people can speak out against racism, develop an analysis of the system, organize protests, march, hold signs, work within the political system and without in whatever ways we can imagine in order to fight racism. We can do all this without contradicting our analysis and recognition of privilege. What follows from an analysis of white privilege is not paralysis, but rather a careful effort to make sure we don't obscure difference, that we recognize the leadership of people of color in anti-racist struggles and don't use our privilege to assume leadership ourselves, that we correctly identify racism as a system of economic and cultural institutions that further oppression and not just as an individual psychological phenomenon. If anyone is paralyzed by white privilege, it is not white people but the people whose voices are marginalized, obscured, and ignored by white people blindly acting out the privilege that Sherry Wolf and much of the American left in general don't believe they have.
Saturday, January 7, 2012
Review: Martha Scanlan EP
Martha Scanlan - Tongue River Stories: Autumn (2011)
8 / 10
Martha Scanlan's fantastic 2007 debut album, The West Was Burning, was one of the most underappreciated Americana albums of recent years, and for years I've been waiting eagerly for her to release a new album. She stopped touring for a while, and I was afraid that second release might never come, but I've been regularly checking for updates anyway. Yet, somehow, I missed the release of this new EP and only found out about it a couple of weeks ago.
The title of the album refers to the Tongue River Valley, where Scanlan's family owns a home that she has spent a lot of time in while not touring. After taking some time off from touring and writing, she decided to write and record a series of short albums inspired by that place. The music on this EP was both written and recorded at her family's home in the valley.
Scanlan claims on her website that the songs on this album tell stories from the Tongue River Valley, but I would say that most of the songs don't tell stories at all, at least not directly. Rather, they seem to relate the thoughts and feelings of the narrator at a certain time and place. To the extent that these songs are about anything concrete at all, they are about relationships past, but we only hear about love and lovers through broken memory fragments interspersed with vivid naturalistic imagery.
The latter, presumably, is the influence of the isolated natural setting in which these songs were composed. Scanlan's lyrics aren't about the natural world, per se, but they are drenched in naturalistic metaphor: in "The Meadow," she compares her lover's hair to summer wheat, his smell to wild grass. All of the songs here are replete with references to sun and moon, fields and rivers. The imagery of isolation combined with the recollections of loves past creates an overall effect of nostalgia and longing.
The themes of memory and nostalgia aren't new for Scanlan, but the songwriting on this album marks a definite evolution from her debut. The songs here are longer--three of the five songs are over six minutes, whereas the longest of the eleven songs on her debut was only about five and a half minutes. The writing here is also more consistently serious and mature, and Scanlan seems to have become more comfortable with her own individual style. She began her career as lead singer of Reel Time Travelers, an old time band playing a mix of traditional and original songs along with a good number of traditional instrumental tunes, and her first album was only a partial transition away from that style: it still contained traditional instrumental interludes, and a few of the original songs bore the distinct mark of old time music.
On Tongue River Stories, Scanlan fully embraces her new direction as an Americana singer-songwriter, and there is nothing here to suggest a past career in old time music. On all of the tracks but one, she does a Gillian Welch/David Rawlings thing, paring the music down to two guitars, with one strumming and the other flatpicking tasteful contrapuntal lines (the latter role is filled by Jon Neufield, who is also the guitarist for Decemberists side-project Black Prairie, and who, like Rawlings, plays a guitar with f-holes). On the remaining track, "Guardian Angel," Scanlan is backed by a full country band, and the results are wonderful, if a little out of place on this album: I can't help but wish she had stuck to the two guitar formula here and saved the country band for a different album where she could use it to full effect on all songs.
But that's a minor complaint, and overall this album leaves little to complain about except its brevity. The songwriting is excellent, the music truly beautiful. Scanlan's voice has a unique trembling quality that gives her songs a quiet emotional intensity (it also makes the lyrics hard to make out at times, but I'll take that trade off any day). Hopefully this album is the first of several in the Tongue River Stories project, and hopefully we'll be hearing from Martha Scanlan for years to come.
8 / 10
Martha Scanlan's fantastic 2007 debut album, The West Was Burning, was one of the most underappreciated Americana albums of recent years, and for years I've been waiting eagerly for her to release a new album. She stopped touring for a while, and I was afraid that second release might never come, but I've been regularly checking for updates anyway. Yet, somehow, I missed the release of this new EP and only found out about it a couple of weeks ago.
The title of the album refers to the Tongue River Valley, where Scanlan's family owns a home that she has spent a lot of time in while not touring. After taking some time off from touring and writing, she decided to write and record a series of short albums inspired by that place. The music on this EP was both written and recorded at her family's home in the valley.
Scanlan claims on her website that the songs on this album tell stories from the Tongue River Valley, but I would say that most of the songs don't tell stories at all, at least not directly. Rather, they seem to relate the thoughts and feelings of the narrator at a certain time and place. To the extent that these songs are about anything concrete at all, they are about relationships past, but we only hear about love and lovers through broken memory fragments interspersed with vivid naturalistic imagery.
The latter, presumably, is the influence of the isolated natural setting in which these songs were composed. Scanlan's lyrics aren't about the natural world, per se, but they are drenched in naturalistic metaphor: in "The Meadow," she compares her lover's hair to summer wheat, his smell to wild grass. All of the songs here are replete with references to sun and moon, fields and rivers. The imagery of isolation combined with the recollections of loves past creates an overall effect of nostalgia and longing.
The themes of memory and nostalgia aren't new for Scanlan, but the songwriting on this album marks a definite evolution from her debut. The songs here are longer--three of the five songs are over six minutes, whereas the longest of the eleven songs on her debut was only about five and a half minutes. The writing here is also more consistently serious and mature, and Scanlan seems to have become more comfortable with her own individual style. She began her career as lead singer of Reel Time Travelers, an old time band playing a mix of traditional and original songs along with a good number of traditional instrumental tunes, and her first album was only a partial transition away from that style: it still contained traditional instrumental interludes, and a few of the original songs bore the distinct mark of old time music.
On Tongue River Stories, Scanlan fully embraces her new direction as an Americana singer-songwriter, and there is nothing here to suggest a past career in old time music. On all of the tracks but one, she does a Gillian Welch/David Rawlings thing, paring the music down to two guitars, with one strumming and the other flatpicking tasteful contrapuntal lines (the latter role is filled by Jon Neufield, who is also the guitarist for Decemberists side-project Black Prairie, and who, like Rawlings, plays a guitar with f-holes). On the remaining track, "Guardian Angel," Scanlan is backed by a full country band, and the results are wonderful, if a little out of place on this album: I can't help but wish she had stuck to the two guitar formula here and saved the country band for a different album where she could use it to full effect on all songs.
But that's a minor complaint, and overall this album leaves little to complain about except its brevity. The songwriting is excellent, the music truly beautiful. Scanlan's voice has a unique trembling quality that gives her songs a quiet emotional intensity (it also makes the lyrics hard to make out at times, but I'll take that trade off any day). Hopefully this album is the first of several in the Tongue River Stories project, and hopefully we'll be hearing from Martha Scanlan for years to come.
Sunday, January 1, 2012
My Favorite Albums of 2011
I've been meaning to start this blog for a while now, and I figure a summary of my favorite things from the past year is as good a way as any to kick off the new one. Here are my fifty favorite albums of 2011, out of the five hundred or so new releases I heard over the course of the year. I may come back to this later and add commentary for some or all of the albums.
1) tUnE-yArDs - w h o k i l l
2) Slackeye Slim - El Santo Grial: La Pistola Piadosa
3) PJ Harvey - Let England Shake
4) St. Vincent - Strange Mercy
5) James Blake - James Blake
6) Farmers by Nature - Out of This World's Distortions
7) Gillian Welch - The Harrow and the Harvest
8) Aram Bajakian - Aram Bajakian's Kef
9) Robyn Ludwick - Out of These Blues
10) Bon Iver - Bon Iver
11) Tony Malaby - Novela
12) Larry and His Flask - All That We Know
13) Steve Coleman and Five Elements - The Mancy of Sound
14) Battles - Gloss Drop
15) Bill Dixon - Envoi
16) Fleet Foxes - Helplessness Blues
17) Nels Cline, Tim Berne, and Jim Black - The Veil
18) Chris Thile and Michael Daves - Sleep with One Eye Open
19) Franco Donatoni - 10 Anni Dopo
20) My Brightest Diamond - All Things Will Unwind
21) Harrison Birtwistle - Night's Black Bird
22) Darius Jones and Matthew Shipp - Cosmic Lieder
23) Tom Waits - Bad As Me
24) Taylor Ho Bynum Sextet - Apparent Distance
25) honeyhoney - Billy Jack
26) Matana Roberts - COIN COIN Chapter One: Gens de couleur libres
27) The Decemberists – The King Is Dead
28) Craig Taborn - Avenging Angel
29) Lydia Loveless - Indestructible Machine
30) Lykke Li - Wounded Rhythms
31) Kris Davis - Aeriol Piano
32) M83 - Hurry Up, We're Dreaming
33) Zoe Muth and the Lost High Rollers - Starlight Hotel
34) Abigail Washburn – City of Refuge
35) Benoit Delbecq and Francois Houle - Because She Hoped
36) Kaija Saariaho - Saariaho
37) Eilen Jewell - Queen of the Minor Key
38) Sofia Gubaidulina - Glorious Percussion
39) Keith Jarrett - Rio
40) Hellbound Glory - Damaged Goods
41) Julianna Barwick - The Magic Place
42) Husky Burnette - Facedown in the Dirt
43) William Elliott Whitmore - Field Songs
44) Colin Stetson - New History Warfare Vol. 2: Judges
45) Fovea Hex - Here Is Where We Used to Sing
46) Cults - Cults
47) Peter Evans Quintet - Ghosts
48) Tinariwen - Tassili
49) The Weeknd - Balloons
50) Radiohead - The King of Limbs
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